Yet another singer who did not perform the role live, Norman joined Seiji Ozawa in 1989 with Neil Shicoff to record a legendary CD. It’s shame that Price never actually sang the role on stage, but this recording shows what a fiery Carmen she would have been on stage. The RCA recording is regarded as one of the best as it also stars Mirella Freni and Robert Merrill. There is no definitive recording of the opera but Price made a staple of the title role when she recorded it with Franco Corelli and Herbert Von Karajan. While this is a recording that is rarely remembered, it is nevertheless a fascinating listening experience. However, she experimented many times in the recording studio with roles like “Luisa Miller” and in her late career, she tried numerous roles like “Tosca.” “Carmen” was among the late career experiments and while it may not be the best fit for her beautiful lyric voice, her chemistry with Franco Corelli is clearly there. One forgets the versatility of Moffo as she was well known for her work in many bel canto and lyric roles. The final scene with Gedda is visceral and among the best in recorded history. The recording is one of the definitive versions for its upbeat tempi and, of course, for the dramatic insight Callas brings to the famous heroine. La Divina never sang the role on stage but she did sing many of Carmen’s songs in concerts and most famously recorded the work alongside Nicolai Gedda. That recording used the recitatives added by Ernest Guiraud after Bizet’s death and also starred Nicolai Gedda. She interpreted the iconic gypsy over many years and recorded it for Warner Classics. She was also among the first Spanish-born operatic singers to record the complete opera, having done so in 1958 in a recording conducted by Sir Thomas Beecham. The Spanish soprano was known for her interpretation as it was one of her favorite roles.

As a result, OperaWire takes a look at some of the most famous soprano interpreters in the title role. With the assumption of the role, Martinez continues to join a select few sopranos who either recorded the role or sang it live on the stage. Ana María Martínez takes on the iconic role for the second time after receiving raves at the Houston Grand Opera. 9, 2017, the LA Opera opens its 2017-18 season with a repertory staple, Bizet’s “Carmen.” However, what makes this revival so appealing is the addition of a soprano in the title role instead of a mezzo-soprano.

Carmen opera habanera maria callas